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This writer has no qualms outing himself as a John Lloyd-Bea fan. The original film has also been recently restored and remastered. The film is well underway, with Star Cinema and Singapore’s Cre8 on board to produce. Mikhail Red, director of Birdshot (2013) and Dead Kids (2019), has been tapped to remake the 1996 classic from Peque Gallaga and Lore Reyes for modern audiences. Magic TempleĪfter last year’s Magikland, there’s a clear demand for Filipino sci-fi/fantasy adventure stories, which is why the Magic Temple remake comes at an opportune time.
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The film, which is said to be of the same ilk as Habac’s past projects ( I’m Drunk, I Love You, Gaya Sa Pelikula), stars Janine Guttierrez and JC Santos. Following typical release schedules, it should arrive sometime this year. Production has started for JP Habac’s Dito at Doon late last year. It will premiere as part of the 17 feature films premiering at the 17th Cinemalaya Independent Film Festival that’s happening this year. This new film follows a young boy who tries to “lull the sorrow after being abandoned by his mother” by joining a school spelling bee. Originally scheduled for the 2020 Cinemalaya, David Corpuz’s sophomore feature Seperate/Separate has been on our radars since early 2020.Ĭorpuz’s previous films include the portmanteau romance film, Anatomiya ng Pag-Ibig (2015), and the beguilling short, The Ordinary Things We Do (2014). We’ve covered this film in an episode of Pervision, where we went as far as calling it as one of the better films to have come out this year.Ĭheck out the episode and the trailer for the film below. The film tells the story of an immigrant Filipina transwoman (played by Sandoval herself) who works as a caregiver for a Russian family in Brooklyn. Though it made its Philippine premiere in 2019 and had its release in the US via Netflix in 2020, my hopes are high for a wider release of Isabel Sandoval’s Lingua Franca. Upstream teased the film as part of their roster during the 2020 Metro Manila Film Festival.
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Joshua Garcia topbills as the main character, Galo. Roño, a fitting choice for such a popular horror story like Mama Susan.
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The film adaptation is helmed by Chito S. Elsewhere, a cult is at work for a day of reckoning. Interestingly, the film has made its Philippine premiere last year during the 2020 QCinema International Film Festival, so my fingers are crossed for a wider theatrical release this year.īased on the 2010 Bob Ong novel, Ang Mga Kaibigan Ni Mama Susan follows a college student who, in his journal, details strange encounters he’s regularly facing. Like his previous film, Smaller and Smaller Circles, this new coming-of-age drama is set in the 90’s, following a ragtag group of young’uns killing time during summer.
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Probably my most anticipated film of the year, Death of Nintendo looks like a full-180 for Raya Martin, who’s known for darker, more experimental works like Autohystoria (2007), Independencia (2009) and How to Disappear Completely (2013).
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Read on for the full list of Filipino movies we want to see in 2021: And even if 2021 is poised to be a weird year for moviegoing (or perhaps even weirder than 2020), there are titles that I’d be happy to see, hopefully in theaters, but one can only cross their fingers. Everything carries on, most especially film release cycles, global pandemics be damned. Though vaccinations are underway, a utopic “great return” to some sort of normalcy feels exactly like that-a utopia, a promise that at this point feels as lofty as living in a reality with hovercars and a fully intact planet. To anticipate, let alone make an entire list of my most anticipated films is absurd, especially after what we’ve all collectively gone through last year. It’s strange to think about upcoming movies.